S8E3: Elisar von Kupffer
A fascist femboy, a Baltic count, an orientalist white supremacist, editor of the first anthology of gay literature, painter of a 30-meter cyclorama featuring 90 androgynous twinks disporting themselves in the nude in a fantasia of the four seasons, devotee of Adolf Hitler, founder of a new religion, and poet: it's Elisar von Kupffer.
A fascist femboy, a Baltic count, an orientalist white supremacist, editor of the first anthology of gay literature, painter of a 30-meter cyclorama featuring 90 androgynous twinks disporting themselves in the nude in a fantasia of the four seasons, devotee of Adolf Hitler, founder of a new religion, and poet: it's Elisar von Kupffer.
SOURCES:
Marhoefer, Laurie. “Queer Fascism and the End of Gay History.” NOTCHES (blog), June 19, 2018. https://notchesblog.com/2018/06/19/queer-fascism-and-the-end-of-gay-history/.
Marhoefer, Laurie. “Was the Homosexual Made White? Race, Empire, and Analogy in Gay and Trans Thought in Twentieth-Century Germany.” Gender & History 31, no. 1 (March 2019): 91–114. https://doi.org/10.1111/1468-0424.12411.
Miller, Ben. In Search Of Lost Time: Primitivist Homomythopoetics and the Self-Invention of the White Gay Man. (Dissertation: Freie Universität Berlin, 2024).
Miller, Ben. “Rejecting the Klarwelt: How Elisàr von Kupffer Complicates Queer History.” In To Be Seen: Queer Lives 1900-1950, edited by Miriam Zadoff and Karolina Kühn, 62–75. Munich: Hirmer, 2023.
Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner. Image via.
S8E2: Tom Mitford
Today's episode profiles a very bad bisexual: the lawyer, soldier and society favourite, Tom Mitford. This is not just a profile of Tom himself, but of his six siblings, the famed Mitford Sisters, whose intense, often conflicting relationships have become something of an obsession for English culture, and not always a very healthy one. We also promise to you, as has become a theme of the podcast, some DBNs - Disturbingly British Names.
Today's episode profiles a very bad bisexual: the lawyer, soldier and society favourite, Tom Mitford. But the idea of featuring Tom is partly a ruse. This will be not just a profile of Tom himself, but of his whole family, and especially his six siblings, the famed Mitford Sisters, whose intense, often conflicting relationships have become something of an obsession for English culture - and not always a very healthy one. They embody so much about the English elite: eccentric, vicious, often listless and desperately sad. We also promise to you, as has become a theme of the podcast, some DBNs - Disturbingly British Names. And an indescribable cover of Right Said Fred by Jessica Mitford and Dr. Maya Angelou, on both voice and kazoo.
SOURCES:
Lovell, Mary S. The Mitford Girls: The Biography of an Extraordinary Family. New edition. Abacus, 2002.
Mitford, Jessica. Hons and Rebels. New York Review Books Classics. New York: New York Review Books, 2004.
Mitford, Nancy. The Pursuit of Love. First Edition. New York: Vintage, 2010.
Mitford, Nancy. Love in a Cold Climate. 1st edition. Vintage, 2010.
Mosley, Charlotte, ed. The Mitfords: Letters between Six Sisters. UK ed. edition. Fourth Estate, 2012.
Thompson, Laura. The Six: The Lives of the Mitford Sisters. St. Martin’s Press, 2016.
Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner.
S8E1: Olive Yang
A lesbian — or possibly transmasculine — gangster born royal in 1927 British colonial Burma, who when first married off to a man threw a pot of their own urine at him to prevent the marriage from being consummated. They ran away from polite society, dated actresses, ran opium, were involved with the CIA, and helped negotiate settlements between ethnic groups.
From almost the first season of the show, we’ve been tantalised by stories of the Burmese gangster Olive Yang. Now, to open season 8, we have their story: Olive was a lesbian — or possibly transmasculine — gangster born royal in 1927 British colonial Burma, who when first married off to a man threw a pot of their own urine at him to prevent the marriage from being consummated. They ran away from polite society, dated actresses, ran opium, were involved with the CIA, and helped negotiate settlements between ethnic groups.
SOURCES:
Paluch, Gabrielle. The Opium Queen: The Untold Story of the Rebel Who Ruled the Golden Triangle. Lanham: Rowman & Littlefield Publishers, 2023.
Scott, James C., ed. The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia. Yale Agrarian Studies Series. New Haven: Yale University Press, 2009.
Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner.
Image via.
Special: Marianne Woods and Jane Pirie (with Indigo Dunphy-Smith)
Today's special guest is the researcher and museum worker Indigo Dunphy-Smith, who is bringing her expertise to the case of Marianne Woods and Jane Pirie, two Edinburghian school teachers who found themselves embroiled in a sex scandal and court case in the early years of the 19th century. Their legal woes followed accusations by a pupil about sapphic goings-on at their small private school, and raised issues regarding attitudes to sex, race and colonialism in late Georgian era Scotland.
Today's special guest is the researcher and museum worker Indigo Dunphy-Smith, who is bringing her expertise to the case of Marianne Woods and Jane Pirie, two Edinburghian school teachers who found themselves embroiled in a sex scandal and court case in the early years of the 19th century. Their legal woes followed accusations by a pupil about sapphic goings-on at their small private school, and raised issues regarding attitudes to sex, race and colonialism in late Georgian era Scotland.
SOURCES:
Clerk, John, The notorious Drumsheugh Case of 1810: Miss Marianne Woods and Miss Jane Pirie v. Lady Cumming Gordon of Altyre, The Signet Library, Roughead Collection R343.1 H865
Singh, Frances B, Scandal and Survival in Nineteenth-Century Scotland: The Life of Jane Cumming, NED-New edition, Boydell & Brewer, 2020
Rupp, Leila J, Sapphistries: A Global History of Love Between Women, Beacon Press, 2009
Donoghue, Emma, Passions Between Women: British Lesbian Culture 1668–1801, HarperCollins, 1993
Faderman, Lillian, Scotch Verdict: The Real-Life Story That Inspired “The Children’s Hour”, Columbia University Press, 1983
Faderman, Lillian, Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present, William Morrow & Co, 1981
National Records of Scotland, Burgh Register of Sasines for Edinburgh B22/4/31
Our intro music is Arpeggia Colorix by Yann Terrienn, distributed under a Creative Commons license. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Special: Jerome Robbins (with Liz Rosenfeld)
As one of Broadway's star choreographers, Robbins helped define Broadway's Golden Age with striking dance theatre that integrated ballet technique into storytelling. His charisma, abuses of power, and boundary-obliterating working methods helped define an idea of choreographer-as-genius that still disfigures dance today.
Today, special guest Liz Rosenfeld discusses the choreographer Jerome Robbins. Born in New York to Jewish immigrants, Robbins pursued dance and radical politics––until, under the threat of being blacklisted and exposed for his sexuality, reporting on his former comrades to the House Committee on Unamerican Activities. As one of Broadway's star choreographers, he helped define Broadway's Golden Age with striking dance theatre that integrated ballet technique into storytelling. His charisma, abuses of power, and boundary-obliterating working methods helped define an idea of choreographer-as-genius that still disfigures dance today.
SOURCES:
https://www.npr.org/2011/02/24/97274711/the-real-life-drama-behind-west-side-story
https://www.newyorker.com/magazine/2018/03/19/happy-hundredth-jerome-robbins
Jerome Robbins: By Himself: Selections from his letters, journals, drawings, photographs, and an Unfinished Memoir (ed. Amanda Vaill)
Wendy Lesser: Jerome Robbins: A Life in Dance
Jerome Robbins - Something to Dance About, dir. Judy Kinberg
Our intro is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Special: Christopher Marlowe (with Will Tosh)
On today's special episode, we talk about one of Shakespeare’s contemporaries, someone probably less well known but who has been deeply influential for queer writers and theatre practitioners through the ages: Christopher Marlowe.
Today's special guest is Will Tosh, Head of Research at Shakespeare's Globe, London, and the author of a new book, “Straight Acting: The Many Queer Lives of William Shakespeare.” Having answered the obvious question in the prologue, the book becomes a sort of emotional biography of Shakespeare’s private life, but uses that his life and his work to ask broader questions about Elizabethan England, and especially how they understood their own sex gender system at the time. On today's special episode, we talk about one of his contemporaries, someone probably less well known but who has been deeply influential for queer writers and theatre practitioners through the ages: Christopher Marlowe.
SOURCES:
Lukas Erne, 'Biography, Mythography, and Criticism: The Life and Works of Christopher Marlowe', Modern Philology 103.1 (2005), 28-50
Constance Brown Kuriyama, Christopher Marlowe: A Renaissance Life (Ithaca: Cornell University Press, 2002)
Stephen Orgel, 'Tobacco and Boys: How Queer Was Marlowe?', GLQ: A Journal of Lesbian and Gay Studies 6.4 (2000), 555-576
Christopher Shirley, ‘Sodomy and Stage Directions in Christopher Marlowe’s Edward(s) II’, Studies in English Literature 54.2 (2014), 279–296
Sydnee Wagner, 'New Directions: Towards a Racialized Tamburlaine', in David McInnes (ed.), Tamburlaine: A Critical Reader (London: Bloomsbury, 2020)
Our intro is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.
S7E10: Rotha Lintorn-Orman
The story of a dashing tomboy who was the first woman to found a British political party. The only problem: that party was the British fascists.
We close out our season with the story of a dashing tomboy who was the first woman to found a British political party. The only problem: that party was the British Fascists.
SOURCES:
Colin Cross, The Fascists in Britain (London: Saint Martin's Press, 1963)
Julie Gottlieb, Feminine Fascism: Women in Britain's Fascist Movement, 1923-1945 (London: Bloomsbury, 2021)
Asa Seresin, "Lesbian Fascism on TERF Island," 2021 https://asaseresin.com/2021/02/11/lesbian-fascism-on-terf-island/
Richard Thurlow, Fascism in Britain: From Oswald Mosley's Blackshirts to the National Front (London: I. Thurbis, 1998)
Edward White, "Conservatism with Knobs On," The Paris Review, December 2, 2016, https://www.theparisreview.org/blog/2016/12/02/conservatism-with-knobs-on/
Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner.
S7E09: Baron Franz Nopcsa von Felső-Szilvás
Today’s subject had a multi-hyphenate name and a multi-hyphenate resume––, in his 55 years of life, he was an adventurer, a geologist, a spy, a dinosaur scientist, one of the founders of paleobiology, the world’s first airplane hijacker, a founder of the field of Albanian studies, a cosplay artist, and a murderer. Born in 1877 in Transylvania, the Baron Franz Nopcsa von Felsö-Szilvás may have been, except perhaps as a pub quiz answer, lost to history since his death, but in his lifetime he had an outsized impact on several scientific disciplines, central European politics and nationalisms, and, unfortunately, the man who he lived with until a murder-suicide ended both of their lives.
SOURCES:
Gëzim Alpion, “Baron Franz Nopcsa and His Ambition for the Albanian Throne,” BESA Journal 6, no. 3 (Summer 2002): 25–32
Gareth Dyke, “The Dinosaur Baron of Transylvania,” Scientific American, October 1, 2011, https://www.scientificamerican.com/article/the-dinosaur-baron-of-transylvania/
Robert Elsie, “1907 | Baron Franz Nopcsa: The Baron Held Hostage in the Mountains of Dibra,” Texts and Documents of Albanian History, accessed April 18, 2024, http://www.albanianhistory.net/1907_Nopcsa2/index.html
Robert Elsie, “The Viennese Scholar Who Almost Became King of Albania: Baron Franz Nopcsa and His Contribution to Albanian Studies,” n.d., http://www.elsie.de/pdf/articles/A1999VienneseNopcsa.pdf
Emily Osterloff, “Franz Nopcsa: The Dashing Baron Who Discovered Dwarf Dinosaurs,” Natural History Museum, accessed April 18, 2024, https://www.nhm.ac.uk/discover/franz-nopcsa-the-dashing-baron-who-discovered-dwarf-dinosaurs.html
Vanessa Veselka, “History Forgot This Rogue Aristocrat Who Discovered Dinosaurs and Died Penniless,” Smithsonian Magazine, accessed April 18, 2024, https://www.smithsonianmag.com/history/history-forgot-rogue-aristocrat-discovered-dinosaurs-died-penniless-180959504/
Traveler, Scholar, Political Adventurer: A Transylvanian Baron at the Birth of Albanian Independence: The Memoirs of Franz Nopcsa, NED-New edition, 1 (Central European University Press, 2014), https://www.jstor.org/stable/10.7829/j.ctt6wpkrc
"A Field Guide to the Long History of Skyjackings,” CrimeReads(blog), May 10, 2021, https://crimereads.com/skyjackings/
Our intro music is Arpeggia Colorix by Yann Terrien, our outro music is by Dj Michaeloswell Graphicsdesigner.
S7E08: Qutbuddin Mubarak Shah
Join us for a trip back to the court of 1300s Delhi for a story of love, lust, intrigue, revolution, and “the results of pampering young men and catamites.”
"If you have to take an beautiful enslaved convert boy from another province to become your lover, and then you fall hopelessly in love with him, and then promote him and he attains great power, do be aware than he might actually want to take your throne." Somehow, this extremely specific lesson was forgotten by two generations of rulers. Join us in a trip back to the court of 1300s Delhi for a story of love, lust, intrigue, revolution, and, in the words of a historian of the time, "the results of pampering young men and catamites."
SOURCES:
Indira Chatterjee, "Alienation, Intimacy and Gender: Problems for a History of Love in South Asia," in Ruth Vanita ed., Queering India: Same-Sex Love And Eroticism In Indian Culture And Society (Abingdon: Routledge, 2002)
Abraham Eraly, Age of Wrath: A History of the Delhi Sultanate (Delhi: Penguin India, 2014)
Ruth Vanita and Saleem Kidwai, eds., Same-Sex Love in India: Readings in Indian Literature (New York: Palgrave MacMillan, 2016)
Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner. Image via.
S7E07: Marthe Hanau
Marthe Hanau built a several-hundred-million-franc financial powerhouse: which turned out to be a fraud. Learn how far one woman was able to go to accumulate wealth and power by any means necessary.
Marthe Hanau built a several-hundred-million-franc financial powerhouse: which turned out to be a fraud. Her investors had been promised returns of 8% interest on savings and in investments forty percent a year —but by the time she died in prison, they were owed a hundred and fifty five million francs. Some people even credit her spectacular swindle to the political confluence that brought Leon Blum and his popular front to power in France at the end of the 1930s. This is the fascinating tale of just how far one woman was able to go to accumulate wealth and power by any means necessary.
SOURCES:
Stéphanie Bee, "La Bancquiére des Annès Folles," Univers-L, January 11, 2020, https://www.univers-l.com/portrait_marthe_hanau.html
Janet Flanner, "The Swindling Presidente," The New Yorker, August 18, 1939, https://www.newyorker.com/magazine/1939/08/26/annals-of-crime
Paul Jankowski, Stavisky: A Confidence Man in the Republic of Virtue (Ithaca: Cornell University Press, 2002).
Dean Jobb, "The Ponzi of Paris," CrimeReads, December 3, 2021, https://crimereads.com/marthe-hanau-paris-ponzi-confidence-woman/
Rod Kedward, La Vie en Bleu - France and the French since 1900 (London: Allen Lane, 2005).
Wilfried Knapp, France--partial Eclipse: from the Stavisky Riots to the Nazi Conquest (London: Macdonald, 1972).
Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.
S7E06: John Whitgift
Today's episode is about England and its capacity to be deeply weird. We get into one of England's weirdest, bloodiest, and maybe horniest moments, the English Reformation: a time of enormous tumult and violence, but also new ideas that reconfigured and reshaped the world. Today’s Bad Gay is perhaps an unlikely and unfamiliar candidate, but one whose life and loves sheds a light on that time: it’s the theologian, reformer, and Archbishop of Canterbury, John Whitgift.
Today's episode is about England and its capacity to be deeply weird. Weget into one of England's weirdest, bloodiest, and maybe horniest moments, the English Reformation: a time of enormous tumult and violence, but also new ideas that reconfigured and reshaped the world. Today’s Bad Gay is perhaps an unlikely and unfamiliar candidate, but one whose life and loves sheds a light on that time: it’s the theologian, reformer, and Archbishop of Canterbury, John Whitgift.
SOURCES:
Diarmaid MacCulloch, Reformation: Europe’s House Divided 1490-1700, 38831st edition (Penguin UK, 2004)
P. G. Maxwell-Stuart, The Archbishops of Canterbury (Tempus, 2006)
“John Whitgift History,” John Whitgift Foundation(blog), accessed March 18, 2024, https://johnwhitgiftfoundation.org/about-us/john-whitgift-history/.
Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.
S7E05: James Levine
This powerful American conductor ended his career in scandal after years of rumors culminated in serious allegations of sexual harrassment and assault, including of minors. We talk about what happens when brilliant artists do terrible things.
Warning: this episode contains discussions of child sexual abuse, sexual harassment, and workplace sexual assault. Listener discretion is advised.
Many people may have seen Maestro, a biopic about the American conductor Leonard Bernstein, a handsome and extroverted communicator. The next most famous gay Jewish conductor of the 20th century was, in many ways, Bernstein’s opposite. Neither handsome nor extroverted, he made his musical mark not as a flamboyant podium acrobat or someone who communicated with the public but as a musician’s musician. His career ended after years of rumors culminated in several serious allegations of sexual harassment and assault, including against teenaged boys. We talk about beauty and power and what it means when people who make great art also do terrible things.
SOURCES:
Michael Cooper, “Met Opera to Investigate James Levine Over Sexual Abuse Accusation,” The New York Times, December 3, 2017, sec. Arts, https://www.nytimes.com/2017/12/02/arts/music/james-levine-sexual-misconduct-met-opera.html
Michael Cooper, “Met Opera Reels as Fourth Man Accuses James Levine of Sexual Abuse,” The New York Times, December 5, 2017, sec. Arts, https://www.nytimes.com/2017/12/04/arts/music/james-levine-met-opera.html
Michael Cooper, “James Levine’s Final Act at the Met Ends in Disgrace,” The New York Times, March 12, 2018, sec. Arts, https://www.nytimes.com/2018/03/12/arts/music/james-levine-metropolitan-opera.html
Matt Dobkin, “Conductor James Levine Spurns Opera Gossips,” New York Magazine, January 6, 2006, https://nymag.com/nymetro/arts/music/features/15494/; Malcolm Gay and Kay Lazar, “In the Maestro’s Thrall,” The Boston Globe, March 2, 2018, https://www.bostonglobe.com/metro/2018/03/02/cleveland/cn2Sathz0EMJcdpYouoPjM/story.html
Ben Miller, “Silence, Breaking,” VAN Magazine, December 7, 2017, http://van-magazine.com/mag/james-levine-silence-breaking/
Ben Miller, “Shush Money,” VAN Magazine, May 23, 2018, http://van-magazine.com/mag/james-levine-met-opera-hush-money/
John Rockwell, “Met Opera Changes Managerial Balance,” The New York Times, July 23, 1987, sec. Arts, https://www.nytimes.com/1987/07/23/arts/met-opera-changes-managerial-balance.html
Emily Saul and Ben Feuerherd, “Met Opera, James Levine Reach Settlements amid Sex Misconduct Claims,” New York Post, August 6, 2019, https://nypost.com/2019/08/06/met-opera-james-levine-reach-settlements-amid-sex-misconduct-claims/
James B. Stewart and Michael Cooper, “The Met Opera Fired James Levine, Citing Sexual Misconduct. He Was Paid $3.5 Million.,” The New York Times, September 21, 2020, sec. Arts, https://www.nytimes.com/2020/09/20/arts/music/met-opera-james-levine.html
Anastasia Tsioulcas, “James Levine Accused Of Sexual Misconduct By 5 More Men,” NPR, May 19, 2018, sec. The Industry, https://www.npr.org/sections/therecord/2018/05/19/612621436/james-levine-accused-of-sexual-misconduct-by-5-more-men
Isabel Vincent and Melissa Klein, “Legendary Opera Conductor Molested Teen for Years: Police Report,” New York Post, December 2, 2017, https://nypost.com/2017/12/02/legendary-opera-conductor-molested-teen-for-years-police-report/
Isabel Vincent and Melissa Klein, “Disgraced Met Conductor’s Brother Was ‘in on the Game’: Police Report,” December 9, 2017, https://nypost.com/2017/12/09/disgraced-met-conductors-brother-was-in-on-the-game-police-report/
Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner.
S7E04: Elagabalus
This episode has everything: a tyrannical little boy king, a dictator who wanted to overthrow the Roman pantheon and install a meteorite as the object of a new monotheism, prostitution and vestal virgins, and drowning your party guests in rose petals.
This episode has everything: a tyrannical little boy king, a dictator who wanted to overthrow the Roman pantheon and install a meteorite as the object of a new monotheism, prostitution and vestal virgins, and drowning your party guests in rose petals. We break down Elagabalus: the myth, the legend, the gender-bending icon and the searcher for the biggest dicks in the Roman Empire.
SOURCES:
Cassius Cocceianus Dio, Roman History: Books 71-80, trans. E. Cary, New issue of 1927 ed Edition (Harvard University Press, 1927)
Edward Gibbon and Hugh Trevor-Roper, The Decline and Fall of the Roman Empire, Volumes 1 to 6: Volumes 1-3, Volumes 4-6, Reprint Edition (Everyman’s Library, 2010)
Harry Sidebottom, The Mad Emperor: Heliogabalus and the Decadence of Rome (Oneworld Publications, 2022)
Elijah Burgher, “Our Lady of the Latrines – Western Exhibitions,” https://westernexhibitions.com/exhibition/elijah-burgher/
Anthony Birley, trans., Lives of the Later Caesars: The First Part of the Augustan History, with Newly Compiled Lives of Nerva & Trajan, Reprint edition (Harmondsworth, Eng. ; Baltimore etc.: Penguin Classics, 1976).
Our intro music is "Arpeggia Colorix" by Yann Terrien. Our outro music was made for us by DJ Michaeloswell Graphicsdesigner.
The image is: Elijah Burgher, Judgment of Paris, 2024. Coloured pencil and watercolour on paper. 14h x 10w in. Courtesy of the artist.
S7E03: Ahebi Ugbabe
The complex life of Ahebi Ugbabe helps tell the story of the colonization and decolonization of Nigeria and of the similarities and the differences between the sex-gender systems we are used to in the contemporary west and the vast array of possibilities in those sex-gender systems throughout different human societies.
Today’s subject was an uneducated woman who was born in approximately 1880 and rose in her nearly 70 years of life from enslavement to sex work to female king. She was a leader of her community of Enugu-Ezike in present-day Nigeria and a collaborator with British colonialism in the region. Finally removed from power by British officials and local elders because she participated in a ritual in a way that only men were supposed to, the complex life of Ahebi Ugbabe helps tell the story of the colonization and decolonization of Nigeria and of the similarities and the differences between the sex-gender systems we are used to in the contemporary west and the vast array of possibilities in those sex-gender systems throughout different human societies.
SOURCES:
Nwando Achebe, The Female King of Colonial Nigeria: Ahebi Ugbabe (Bloomington: Indiana University Press, 2011).
Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner
S702: Joe Orton and Kenneth Halliwell
Two writers from the North of England who made their way in the repressive, damp climate of the postwar UK, went to jail for turning library books into collage art, abused boys in Tunisia, and met a grisly end.
Warning: this episode contains discussions of domestic violence, child sexual abuse, and suicide. Listener discretion is advised.
A rare twofer this week on our show: we discuss the lives and careers of Joe Orton and Kenneth Halliwell. Both frustrated writers from the North of England making their way in the repressive, damp climate of the postwar UK, they were sent to prison for defacing library books into brilliant collage art. But when Orton achieved fame and success, the pressure was too much for Halliwell to bear. And their disturbing pattern of traveling to Tunisia to abuse children casts a pall on any simple attempt to recuperate them as heroes.
SOURCES:
Ilsa Colsell, Philip Hoare, and Leonie Orton Barnett, Malicious Damage: The Defaced Library Books of Kenneth Halliwell and Joe Orton (Donlon Books, 2013)
Prick Up Your Ears (Curzon Film Distributors, 1987)
James Fox, “The Life and Death of Joe Orton,” The Sunday Times, November 22, 1970
John Lahr, Prick Up Your Ears: The Biography of Joe Orton, 1st edition (Berkeley: Univ of California Pr, 2000)
Joe Orton, The Orton Diaries, Reprint edition (New York: Da Capo Press, 1996)
“Joe Orton,” Front Row (BBC Radio 4, August 11, 2017), https://www.bbc.co.uk/programmes/b08zzly6
Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner
S701: Karl Lagerfeld
A white-haired, powdered, starch-cuffed petty dictator who ruled over the expanding business with an iron fist, stopping every once in a while to make a misogynist or racist public comment, Karl Lagerfeld was one of the most influential figures in the fashion industry as it shifted into late capitalist hyperdrive.
Are you wearing the Chanel boots? Yes, we are. A white-haired, powdered, starch-cuffed petty dictator who ruled over the expanding business with an iron fist, stopping every once in a while to make a misogynist or racist public comment, Karl Lagerfeld was one of the most influential figures in the fashion industry as it shifted into late capitalist hyperdrive. Come for the racist and misogynist public comments, stay for Lagerfeld's great love, Jacques de Bascher, who may more perfectly epitomize Evil Twink Energy than anyone we've discussed on our show.
SOURCES:
Christian Allaire, “The Incredible Dandy Style of Jacques de Bascher, Karl Lagerfeld’s Longtime Partner | Vogue,” Vogue, April 27, 2023, https://www.vogue.com/slideshow/jacques-de-bascher-dandy-style-karl-lagerfeld-partner
Irina Baconsky, “Jacques de Bascher: An Exhibition,” 032c, March 11, 2020, https://032c.com/magazine/jacques-de-bascher-an-exhibition
Holly Brubach, “School of Chanel,” The New Yorker, February 19, 1989, https://www.newyorker.com/magazine/1989/02/27/school-of-chanel
John Colapinto, “Karl Lagerfeld’s Fashion Empire,” The New Yorker, March 12, 2007, https://www.newyorker.com/magazine/2007/03/19/in-the-now
Brock Colyar, “The Man in an 18-Year Relationship With Karl Lagerfeld,” The Cut, February 20, 2019, https://www.thecut.com/2019/02/who-was-jacques-de-bascher.html
Daniel Harris, “The Electronic Funeral: Mourning Versace,” The Antioch Review 56, no. 2 (1998): 154–63, https://doi.org/10.2307/4613651
Beatrice Hazlehurst, “Karl Lagerfeld Depicts Hitler in Political Cartoon to Criticize Angela Merkel - PAPER Magazine,” October 12, 2017, https://www.papermag.com/karl-lagerfeld-depicts-hitler-in-political-cartoon-to-criticize-angela-merkel
Michael Hobbes and Aubrey Gordon, “Diet Book Deep Dive: The Karl Lagerfeld Diet,” Maintenance Phase, accessed February 14, 2024, https://maintenancephase.buzzsprout.com/1411126/9898517
Anisha Mansuri, “The Met Gala: Ignoring Lagerfeld’s Islamophobia and Misogyny,” The New Arab (The New Arab, October 18, 2022), https://www.newarab.com/opinion/met-gala-ignoring-lagerfelds-islamophobia-and-misogyny
William Middleton, Paradise Now: The Extraordinary Life of Karl Lagerfeld (New York, NY: Harper, 2023)
Melissa Minton, “Karl Lagerfeld’s Most Controversial Quotes over the Years,” The New York Post, April 28, 2023, sec. Page Six, https://pagesix.com/article/karl-lagerfeld-most-controversial-quotes/
David Rakoff, Don’t Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never- Ending Quest for Artisanal Olive Oil, and Other First World Problems, Reprint Edition (Knopf Doubleday Publishing Group, 2006).
“Karl Lagerfeld: A Line of Beauty,” The Metropolitan Museum of Art, accessed February 12, 2024, https://www.metmuseum.org/exhibitions/a-line-of-beauty
“King Karl,” Kids of Dada, accessed February 12, 2024, https://www.kidsofdada.com/blogs/magazine/11625457-king-karl
Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner
S6E10: Benedetta Carlini
The 16th century mystic nun, lesbian, and possibly demonically possessed heretic Benedetta Carlini was the subject of a 2021 film by Paul Verhoeven. We’re telling the true story of her life.
What's your favorite Paul Verhoeven film? We knew you were going to say Showgirls–but we'll put in a word for his latest, Benedetta, with Charlotte Rampling acting up a storm and nuns diddling each other with dildos carved out of statues of the Virgin. Improbably, the film is based on a true story: and within it, and within its subject's life, there are important themes of power, gender transgression, sin, belief and deviance that are worth discussing in more detail. Today, we discuss the 16th century mystic nun, lesbian, possibly demonically possessed and possibly visionary heretic, Benedetta Carlini.
SOURCES:
Brown, Judith C. Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. Reprint édition. New York, NY: Oxford University Press, 1986.
———. “Lesbian Sexuality in Renaissance Italy: The Case of Sister Benedetta Carlini.” Signs 9, no. 4 (1984): 751–58.
Cohn, Norman. The Pursuit of the Millennium: Revolutionary Millenarians and Mystical Anarchists of the Middle Ages, Revised and Expanded Edition. Revised edition. New York: Oxford University Press, 1970.
Ginzburg, Carlo. The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller. Translated by John Tedeschi and Anne C. Tedeschi. Reprint edition. Baltimore: Johns Hopkins University Press, 2013.
“The Word Made Fresh: Mystical Encounter and the New Weird Divine - Journal #92.” Accessed June 6, 2023. https://www.e-flux.com/journal/92/205298/the-word-made-fresh-mystical-encounter-and-the-new-weird-divine/.
Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.
S6E9: Tokugawa Iemitsu
Through the life of this 17th century Japanese shogun, we explore the role of same-sex relationships in Japanese court culture of the time, the radically different meanings of age and gender in different times and places, and a gay teen romance that ends, alas, with being stabbed to death in the bathtub.
Through the life of this 17th century Japanese shogun, we explore the role of same-sex relationships in Japanese court culture of the time, the radically different meanings of age and gender in different times and places, and a gay teen romance that ends, alas, with being stabbed to death in the bathtub.
SOURCES:
Louis Crompton, Homosexuality & Civilization, Annotated edition (Cambridge, Mass.: Harvard University Press, 2006)
Koichi, “The Gay of the Samurai,” Tofugu, September 30, 2015, https://www.tofugu.com/japan/gay-samurai/
Gregory M. Pflugfelder, Cartographies of Desire: Male-Male Sexuality in Japanese Discourse, 1600–1950 (Berkeley: University of California Press, 2007)
Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.
S6E8: Dong Xian
There’s power in being the king who sits upon the throne, but also power in being the throne upon who the king sits. This was true as ever in the court of Emperor Ai in Han Dynasty China in 22 BC.
There’s power in being the king who sits upon the throne, but also power in being the throne upon who the king sits. This was true as ever in the court of Emperor Ai in Han Dynasty China in 22 BC. We’re going to be talking about someone who in 21 short years of life rose from a low class status to being one of the most powerful imperial officials in China – all by becoming the favorite of the Emperor. Their passion was so renowned it led to the creation of what remains a Chinese idiomatic expression for homosexuality. But we’ll also be talking about prevailing bisexuality in the Han dynasty court, the reception culture of this story both in China and outside it then and now, and how people in both China and the West have adopted this story.
SOURCES:
Howard Chiang, “Epistemic Modernity and the Emergence of Homosexuality in China: Epistemic Modernity and the Emergence of Homosexuality in China,” Gender & History 22, no. 3 (November 2010): 629–57, https://doi.org/10.1111/j.1468-0424.2010.01612.
Bret Hinsch, Passions of the Cut Sleeve: The Male Homosexual Tradition in China, Reprint edition (Berkely, Calif.: University of California Press, 1992)
Martin W. Huang, “Male-Male Sexual Bonding and Male Friendship in Late Imperial China,” Journal of the History of Sexuality 22, no. 2 (2013): 312–31
M. P. Lau and M. L. Ng, “Homosexuality in Chinese Culture,” Culture, Medicine and Psychiatry 13, no. 4 (December 1, 1989): 465–88, https://doi.org/10.1007/BF00052053
Tze-lan Deborah Sang, “Translating Homosexuality: The Discourse of Tongxing’ai in Republican China (1912–1949),” in Translating Homosexuality: The Discourse of Tongxing’ai in Republican China (1912–1949) (Duke University Press, 2000), 276–304
James D. Seymour, review of Review of Passions of the Cut Sleeve: The Male Homosexual Tradition in China, by Bret Hinsch, Journal of the History of Sexuality 3, no. 1 (1992): 141–43
Ping-Hsuan Wang, “I’m a ‘Cut-Sleeve’: Coming out from a POC Perspective,” Narrative Inquiry 31, no. 2 (July 12, 2021): 338–57, https://doi.org/10.1075/ni.19088.wan
Intersections: Interview with Samshasha, Hong Kong’s First Gay Rights Activist and Author,” accessed May 15, 2023, http://intersections.anu.edu.au/issue4/interview_mclelland.html.
Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.
S6E7: Tom Driberg
Was he an honest or devious? A man driven by fidelity, or by treachery? Perhaps we’ll get to the bottom of it when we discuss the life of Tom Driberg, the Lord Bradwell, journalist, socialist, MP, Chairman of the Labour Party, and cocksucker.
Today’s figure is the sort of character who has been extinguished from British public life today, and maybe that’s for the best. He’s a mass of contradictions, the sort of mass that confuses the idea of an easy history of “lessons we can learn”. How did this man manage to be both an avant-garde poet and a gossip columnist, a communist revolutionary and a High Anglican devotee, a labour organiser and a lord? Or perhaps more accurately, how did he manage to inhabit all these roles with a level of seeming sincerity and honest commitment? Was he an honest man, or a devious one? A man driven by fidelity, or by treachery? Perhaps we’ll get to the bottom of it when we discuss the life of Tom Driberg, the Lord Bradwell, journalist, socialist, MP, Chairman of the Labour Party, and cocksucker.
SOURCES:
Tom Driberg, Ruling Passions (London: Quartet Books, 1980).
Francis Wheen, The Soul of Indiscretion: Tom Driberg ; Poet, Philanderer, Legislator and Outlaw (London: Fourth Estate, 2001).
Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.
