S5E4: Philipp, Prince of Eulenburg
SOURCES:
Robert Beachy, Gay Berlin: Birthplace of a Modern Identity (New York: Vintage, 2014)
Miranda Carter, “What Happens When a Bad-Tempered, Distractible Doofus Runs an Empire?,” The New Yorker, June 6, 2018, https://www.newyorker.com/culture/culture-desk/what-happens-when-a-bad-tempered-distractible-doofus-runs-an-empire/
Norman Domeier, “The Homosexual Scare and the Masculinization of German Politics before World War I,” Central European History 47, no. 4 (2014): 737–59
Norman Domeier, “Scandal & Science – The Power of Sexology in the Eulenburg Affair, 1906-1909,” n.d., http://www.hist.ceu.hu/conferences/graceh/abstracts/domeier_norman.pdf
Martin B. Duberman, Jews, Queers, Germans: A Novel/History, Seven Stories Press first edition (New York ; Oakland: Seven Stories Press, 2017)
John C. G. Röhl, The Kaiser and His Court: Wilhelm II and the Government of Germany, trans. Terence F. Cole, 1st ed. (Cambridge University Press, 1994)
Alex Ross, Wagnerism: Art and Politics in the Shadow of Music (New York: Picador Farrar, Straus and Giroux, 2021)
Klaus Theweleit, Male Fantasies, Theory and History of Literature, v. 22-23 (Minneapolis, Minn.: University of Minnesota Press, 1987).
Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
The 15-second clip of "Monatsrose" by Philipp, Prince of Eulenburg is sung by tenor Marcel Wittrisch with orchestra and organ conducted by Bruno Seidler-Winkler: https://www.youtube.com/watch?v=Mq2XXG8JRNU